The two new reports, Inclusion in the Director's Chair and The Celluloid Ceiling, both point to stagnant representation for women behind the camera.

Saturday Night Live, a cultural mainstay that has offered healing and hope at pivotal moments of national crisis, chose instead to rub salt in the wound in its first post-election episode.

Women are diverse, complicated, powerful, and resilient in the ongoing fight for gender equality and other civil rights. And in this election year, the stakes seem be to higher than ever before. That was the general consensus in speeches and conversations at the 2024 Women’s Media Center Women’s Media Awards, which were presented on September 19 at the JW Marriott Essex House in New York City.

Here is what some female creatives had to say about their Emmy-nominated work for the major categories in the 76th annual Primetime Emmy Awards, which will be held on Sunday.

This summer, feature films offer varying depictions of women as movie directors.

The recent wave of women-directed documentaries have been drawing impressive viewership numbers and raising awareness.

A new show highlights the work of WSW, which has brought more than 5,000 artists to its campus to work in printmaking, hand papermaking, letterpress printing, photography, book arts, and ceramics.

Here is what some female filmmakers had to say about their Oscar-nominated work for the major categories in the 2024 Academy Awards, which will be held on Sunday.

This is the last in a series of interviews with women journalists of color excerpted from the Women’s Media Center’s recently released report, “Women of Color in U.S. News Leadership 2023.”

This is the fourth in a series of interviews with women journalists of color excerpted from the Women’s Media Center’s recently released report, “Women of Color in U.S. News Leadership 2023.”

This is the third in a series of interviews with women journalists of color excerpted from the Women’s Media Center’s recently released report, “Women of Color in U.S. News Leadership 2023.”

Foster, Reis, and show runner Issa López shared their thoughts on the critically acclaimed season, which marks Foster’s return to series television.

This is the second in a series of interviews with women journalists of color excerpted from the Women’s Media Center’s recently released report, “Women of Color in U.S. News Leadership 2023.”

This is the first in a series of interviews with women journalists of color excerpted from the Women’s Media Center’s recently released report, “Women of Color in U.S. News Leadership 2023.”

The family of a slain Afghan journalist has founded an organization to provide resources and refuge to reporters still working in the country.

Chloe Domont’s film is not just a story about terrible people doing terrible things — it’s also a commentary on the danger of abusive work cultures that dehumanize the people in them.

New research confirms that journalists who are pregnant or mothers are fighting against some of the same injustices that women reporters faced decades ago.

The blockbuster film, with ticket sales of $1.4 billion worldwide, is the highest-grossing movie ever directed solely by a woman.

This summer’s films about women were an odd mix of stories that expanded the scope of women’s roles and those that offered tired narratives.

A new play based on Emily Wilson’s translation tells the epic story through the experiences of young women refugees.

As writers and actors continue their work stoppage, are recent improvements in representation and opportunity in jeopardy?

Set in the 1950s and 1960s, the Emmy-winning show wrapped up its five-year run by offering messages relevant to the present.