There’s a darkish room, maybe 12 feet by 13 feet, tucked into the back area of the ground floor of a school called Lycée Wima. Seated along walls of peeling paint are more than a dozen women sewing patterned bags, shoes, dresses, and dolls on elegant Singer sewing machines from the time between the last world wars. The work is exacting.

Effects of a conflict linger differently on different people. The following excerpt from my book, Mother, Where’s My Country?, is a story of struggle, loss, lack of closure, and denial of memory and justice. The book and excerpt are set in the northeast Indian state of Manipur, a gritty landscape.

Colonel Magistrate Freddy Mukendi is an imposing man who speaks from behind darkly shaded eyeglasses. He takes up the full space of a lounge chair, giving off a breezy, if formal, comfort in his own skin. Considering his high-level position in the DRC, this may not be entirely unexpected.