A new show highlights the work of WSW, which has brought more than 5,000 artists to its campus to work in printmaking, hand papermaking, letterpress printing, photography, book arts, and ceramics.

Here is what some female filmmakers had to say about their Oscar-nominated work for the major categories in the 2024 Academy Awards, which will be held on Sunday.

Foster, Reis, and show runner Issa López shared their thoughts on the critically acclaimed season, which marks Foster’s return to series television.

Chloe Domont’s film is not just a story about terrible people doing terrible things — it’s also a commentary on the danger of abusive work cultures that dehumanize the people in them.

The blockbuster film, with ticket sales of $1.4 billion worldwide, is the highest-grossing movie ever directed solely by a woman.

This summer’s films about women were an odd mix of stories that expanded the scope of women’s roles and those that offered tired narratives.

A new play based on Emily Wilson’s translation tells the epic story through the experiences of young women refugees.

As writers and actors continue their work stoppage, are recent improvements in representation and opportunity in jeopardy?

Set in the 1950s and 1960s, the Emmy-winning show wrapped up its five-year run by offering messages relevant to the present.

The Inclusion List, a first-of-its-kind resource, ranks creators based on cast and crew inclusion.

The progress Hollywood has made in recent years in behind-the-scenes and on-screen representation could be reversed if the strike is settled unfavorably for writers.

Women who are starring in TV series are taking more creative control in their shows.

“The Postcard Women’s Imaginarium” is a project that uses women's artwork to offer an alternative narrative to colonial-era postcards that framed MENA women as “exotic.”

As we approach what would have been Toni Morrison’s 92nd birthday, the author reckons with the deep impact of Morrison and her work, and living with the loss of this towering literary and cultural presence.

Two major reports on women’s participation in behind-the-camera jobs shows little progress over many years, as the percentage of women in these principal creative positions still has not topped 25%.

The documentary Nothing Compares provides a necessary reassessment of the Irish singer’s legacy.

Two new studies show that the percentage of women in key behind-the-scenes jobs has barely budged in recent years.