Beneath the film's pastel coloring, neon signage, and pop music remixes lies a grim deconstruction of rape culture, and how those afflicted by it attempt to heal from it.

The FBomb talked with All Joking Aside star Raylene Harewood about the world of comedy, unconventional friendships, and the unique pain that comes with a rocky mother-daughter relationship.

The need for more realistic and powerful narratives about Black Australian life was a big reason why Haj decided to study film.

Zayed’s documentary, Lift Like a Girl, is set to make its U.S. premiere at the DOC NYC film festival on November 11.

The film centers on a Taiwanese American girl named Christy, who is struggling to process both her parents’ divorce and the new family dynamics that come with it.

Marvel Studios, one of the — if not the — most impressive names in the superheroine genre of entertainment, made headlines in recent years for their plans to add Ms. Marvel — a Pakistani-American, Muslim female superhero who first appeared in her own comic in 2014 — to their impressive roster of characters on screen.

Taymor spoke with WMC’s The FBomb about the film and what audiences can take from Steinem’s extraordinary example.

Chinese American filmmaker Cathy Yan recently became the first Asian American woman to direct an American superhero film with the newest installment in the DC Extended Universe, Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn).

The film follows the young women as they travel from their small Pennsylvania town to Planned Parenthood in New York City so Autumn can have a surgical abortion.

On February 28, The César Awards, which are essentially the French Oscars, awarded the Best Director honor to Roman Polanski — a man who fled the United States after pleading guilty to the statutory rape of a 13-year-old girl in 1977.

These characters’ journeys expose our culture’s ridiculous link between relationship status and total happiness

2019 was a banner year for women in the entertainment industry. But female filmmakers are still unable to break the “celluloid ceiling.”

No women were nominated in the category of Best Director at the Golden Globes even though there were more women-directed top-grossing movies in 2019 than in any year before.