Last week, federal prosecutors charged 50 people in a scheme to get the children of extremely wealthy families into elite colleges across the United States. These revelations have prompted a public discussion of the many ways inequality is perpetuated in higher education.

Thousands of Albanian students are protesting on the streets right now. But even though the media has started to cover these protests generally, it has failed to note the feminist principles at the heart of them and how women in particular have contributed to the movement.

Ultimately, the impact of representation in movies benefits so many more women than just those in the film industry. When more women are represented, little girls who watch that representation can imagine themselves taking on those roles one day.

Nominations are a legitimate indication of who is worthy of not only cultural acknowledgment but a financial investment. This is why it’s crucial to pay attention not only to who is being recognized at the Academy Awards but also to who isn’t.

Thanks to the progress the #MeToo and Times Up movements have made in shining a light on the injustices women in the film industry face, I naively assumed that women would be better represented among this year’s award nominees. I assumed wrong.

Even before the media gave these women’s political visions a chance, it has largely narrowed in on evaluating whether these women possess a single quality — one that they seem to care about only when it comes to female candidates: their likability.

Should the ACA be overturned, it would be the latest development in a long history of discrimination against women in the health care industry.

The social good our generation does is undercut by a generationally unique problem: the pressure of being “woke.”

Money is a form of power, and claiming this power is necessary for women to achieve equality. Financial equality is an undeniably crucial component of achieving gender equality.

We need to change the message we’re sending kids at a young age. it is necessary to provide children with books and media that provide positive representations of gender equality, and do not associate particular abilities or responsibilities with any gender.

My experiences with travel have been inextricable from my gender; traveling has made me the woman I am today.

Gender inequality and sexism are still embedded in the Middle Eastern workplace, even in progressive workplaces like International NGOs and even if they try invoke equitable policies.

I am a vegan and a feminist. Despite their different labels, however, I don’t believe these are separate identities.

This year is the 20th anniversary of the widely beloved romantic comedy Practical Magic, a film that argues sorority is the most powerful magic available to women specifically because of its ability to uniquely support and instill confidence in each other.

Mona Haydar is a Syrian-American rapper and singer-songwriter who uses her powerful voice to call for justice.

Not only has Mazzoli been deemed “one of the more consistently inventive, surprising composers now working in New York” by the New York Times, but she is also the founder of the Luna Lab, a mentorship program for female-identifying composers between the ages of 13-19.

When marginalized folks find ourselves confronted with a privileged person who, malevolently or not, is completely unaware of and abusing that privilege, we are often caught between not wanting to take the time and effort of teaching those people how to behave better, and wanting to open up a space for a productive discussion.

Girls marrying before the age of 18 are more likely not to finish their education, putting them at the risk of financial dependency.

There are currently no policies in Zimbabwe that protect girls who become pregnant while in school. Pregnant students are frequently forced out of their schools due to rules and regulations within the education system that discriminate against them.

While there are no laws that blatantly incriminate homosexuality, same-sex marriage is not legally recognized in Kenya, a country that is also generally quite socially hostile to members of the LGBTQ+ community.

On the surface, the Netflix hit GLOW is a show about the making of a show — specifically, the 1980s TV show “Gorgeous Ladies of Wrestling” (G.L.O.W.) that inspired the series. But beneath this plot lies a far more interesting exploration of women’s experiences in the entertainment industry, and in the world at large, in the 1980s through a modern lens.

As I have gotten older, I have come to realize what a unique privilege it is to engage in outdoor activities that are often only available to affluent white people and, more specifically, wealthy white men.

In 2016, producer and director Shannon Cohn created Endo What?, a film that gives an accurate, up-to-date base of knowledge about endometriosis, straight from experts.