Christina Hodel is an American/French Polynesian filmmaker, screenwriter, film & television scholar, and educator. She is currently an Assistant Professor in the Department of Communication Studies at Bridgewater State University where she teaches courses in both filmmaking and film studies. She works in both Boston, MA and Los Angeles, CA.
Christina holds a Ph.D. in Film and Media Studies from the University of Kansas, an M.A. in Individualized Study (Film/Dance) from New York University, and a B.A. in Film and Electronic Arts from California State University, Long Beach.
As a practicing artist, Christina has written, directed, produced, and edited various industrials, public service announcements, commercials, event trailers, video installations, narrative films, and documentaries.
Her films have received funding, won awards, and screened at festivals including Tallgrass International Film Festival, Bare Bones International Film and Music Festival, and Lady's First International Film Festival. She has worked for Food Network, HBO, CBS, ABC, NBC, Freeform, Showtime, The CW, 20th Century Fox, Warner Brothers, Universal Pictures, Sony Pictures, and YouTube Premium.
Christina’s current research explores issues of gender, identity, and girl power in contemporary “tween” television.
She has published in Girlhood Studies, In Media Res, the Alberta Journal of Educational Research, the Routledge Encyclopedia of Modernism, Studies in the Humanities, and the Historical Journal of Film, Radio and Television.
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Dr. Hodel's Website
https://www.christinahodel.com/ -
“Queerbaiting: An Explanation of How a Straight Female Almost Bought a Fabulous Bed”
Jump Cut [Spring 2021] -
“Negotiating Genre Boundaries and Mediating Gender Stereotypes on MTV’s 16 and Pregnant and Teen Mom”
Studies in the Humanities [2016] -
“The Filleting of Gender and Sexuality in Silence of the Lambs”
The Silence of the Lambs: Critical Essays on a Cannibal, Clarice, and a Nice Chianti edited by Cynthia Miller [2016] -
“Ballet Méchanique”
Routledge Encyclopedia of Modernism [2016] -
“Mark Antony and Popular Culture: Masculinity and the Construction of an Icon”
Historical Journal of Film, Radio and Television [2015] -
“Performing the Ultimate Grand Supreme: Approval, Gender, and Identity in Toddlers &Tiaras”
Girlhood Studies [2014] -
“Unbagging Disney Channel’s Marketing Ploys”
In Media Res [2014] -
“What Adolescents Ought to Know: Sexual Health Texts in Early Twentieth-Century America”
Alberta Journal of Educational Research [2014]















