A new study found that most female characters could be removed from a film's narrative without significantly disrupting the plot. This suggests that even when women do show up in films, they don’t really have any agency.

YouTubers should treat the message of condemning assault as something important enough to stand independently from a childish vlog video.

Whedon’s behavior is not unlike many “feminist” men, which in turn points to a bigger problem: the way in which many male feminists use that identity to excuse themselves from wrongdoing.

Black women are supposed to relate to and admire these two-dimensional characters, but in reality their lives are multi-dimensional: they’re real people who face obstacles outside of combating racism. Most black girls have gained enough life experience by adolescence to understand that “black girls are pretty, too” and “racism is wrong.” What we’re still grappling with is that being a black girl is still really hard because while we may believe those messages, the people we interact with on a daily basis don’t necessarily understand or believe those messages. And, of course, we are dealing with that racism at the same time that we deal with the everyday problems any other complicated person does.

In 2007, Anna Holmes created Jezebel.com, a website that revolutionized popular discussions around the intersections of gender, race, and culture. Since then, Holmes has had a wide-ranging career — she has contributed to The Washington Post and The New Yorker online and is a regular contributor to the New York Times Sunday Book Review.

Over the past year, minorities have finally been represented in multiple highly acclaimed movies. Films such as Girls Trip, The Big Sick, and Get Out not only were critically acclaimed and financially successful, but told stories written by and about non-white characters. This representation has been evident in mainstream media beyond film, too...

At the end of last month, the BBC was forced to reveal its employees’ salaries, and the results upset many—specifically, the considerable wage gap between its male and female employees. Two-thirds of the presenters who earned over £150,000 were men.

From his comments about “pussy grabbing” to the restrictive reproductive policies he pushes to the lack of women on his staff, it’s understandable why so many women are uncomfortable with and resistant to President Trump. And Trump’s misogyny only continues: Caitriona Perry, an RTE News Washington Correspondent, was the latest woman to endure an upsetting interaction with the president...

Over its 15 years on the air, The Bachelor franchise has had some of the most aggravatingly attractive, square jawed, toned, and tantalizing contestants a producer could dream of. Every season, a sea of white faces, usually decorated with an occasional pinch of color, descend upon the Bachelor Mansion to drunkenly vie for the immediate and undying attention of one beautifully sculpted white person. But now, for its 34th season (which starts tonight), the franchise has finally stemmed its wave of “caucasity” by casting its first black bachelorette, Rachel Lindsay.