Slumdog Millionaire won top honors at both the Screen Actors Guild awards and the Golden Globes. The frontrunner for Oscar’s best picture is a rich Indian cultural experience, with a third of the film in Hindi, and the controversial employment of actual children from the streets. Many of the film’s key cultural decisions were made by Loveleen Tandan, who started out as a casting director but was promoted by director Danny Boyle. She now has the credit of co-director for India.
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The absence of nominations for Tandan for any directing awards, and the fact that she apparently wasn’t invited to be present at the ceremonies so far, has raised questions about the proper acknowlegement of women and people of color in filmmaking. Women in Hollywood’s Melissa Silverstein wrote about the controversy in December. Chicago-based critic & blogger Jan Lisa Huttner of Women in the Audience Supporting Women Artists Now launched a write-in campaign to the Oscars on Loveleen’s behalf. Ms. Tandan expressed her own feelings about her credit and nomination status by writing to the Hollywood Foreign Press Association “I can’t tell you how embarrassed I am by this.”
The Slumdog Millionaire co-director controversy raises valid issues about women’s roles as directors and as cultural guides. Only three women have ever been nominated for a best director Oscar, and none has ever won. We hope that will change soon, and maybe Loveleen Tandan will be the woman to do it with one of her future films. Until then, please support women filmmakers like the women of Chica Luna doing incredible work here in New York helping women of color tell their stories through film. You can also support women artists just by going to see films directed by women, who direct only about 4% of all Hollywood films made or by supporting the Alliance of Women Directors and our friends and partners at New York Women in Film and TV.
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4 Comments
While I find it unacceptable that 4% of Hollywood films are directed by women, it does make sense that if movies directed by women are that scarce, nominations and awards would be even more so.
This is ridculous. Danny Boyle made an autonomous (magnanimous!) decision to elevate Ms. Tandan within the context of his directorial responsibilities. That is her first award!!!! Surely he credits her and lauds as appropriate. To suggest Loveleen’s situation is emblematic of discrimination against women and more particularly “women of colour” is bombastic. It’s not as if Mr. Boyle spirited her away and left her in a Mumbai gutter.
I shall be following this controversy and alerting friends. Thanks for being on the front lines for issues like this that get no media coverage..
Why is it not surprising that the decision to have a co-director takes place over “a Coca Cola and a cup of tea.” Neo-colonialist crossroads.
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[...] We have been following this complex and fascinating story as it has unfolded in the media, and I blogged about it this week. The WMC will be watching the Oscars closely to see if Ms. Tandan is present or thanked, [...]
[...] all other major American film awards shows before last night’s Academy Awards show. We did a blogpost about her and a WMC Exclusive by filmmaker Kavery Kaul called “Of Slumdog and [...]